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Experiment with different lighting. Adjust the proximity of a lamp; how do the shadows change? Which objects are highlighted, and which are hidden? How would the piece look with the lamp as part of the still life?
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A Rubik’s cube gives photographers a similar challenge, albeit also showing off your camera’s ability to capture startling colors.
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Fruit is a reliable example, but you could try books, old electronic hardware, or busts. For painters, it might take days to get these onto canvas. For photographers, it takes minutes.
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Art lessons often begin with renderings of cubes or spheres with one or two sources of light casting shadows that need immortalizing.
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A still life is simply a collection of items, typically against a plain backdrop. Fruit is a reliable example, but you could try books, old electronic hardware, or busts. For painters, it might take days to get these onto canvas. For photographers, it takes minutes.
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A still life is simply a collection of items, typically against a plain backdrop.
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Paul Cézanne’s interest in skulls spoke of his fascination with mortality. Steve McCurry’s broken sculptures speak of lost societies.
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Vincent van Gogh’s obsession with sunflowers was perhaps best explained in Doctor Who: “I find them complex, always somewhere between living and dying.
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Experiment with different lighting. Adjust the proximity of a lamp; how do the shadows change? Which objects are highlighted, and which are hidden? How would the piece look with the lamp as part of the still life?